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Space of cyclic change
Pavlíčková, Tereza ; Jakšík, Petr (referee) ; Rozwalka, Szymon (advisor)
The search for the ideal function and form in response to the cyclical variability of the place offers several possibilities, but each approach to the issue is different. Throughout my work, I have drawn on-site analysis and the study of theatre and concert halls. Last but not least, I have been studying the literature of Rem Koolhaas- Junkspace and the texts of Maxim Gorka, thanks to which I have been able to create a semi-open raster structure and gain a new perspective on the matter and its mutability.
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Music as a public space - New concept of Brno Philharmonic
Macurová, Lenka ; Čapák, Bořivoj (referee) ; Rusín, Tomáš (advisor)
An assignment of diploma thesis was to design a concert hall for Brno Philharmonic. Ten years ago, an architectural competition was held to design Janáček cultural centre on a plot between the streets Veselá and Besední. The winning project was simplified and divided into two parts (underground parking and concert hall). My proposal is based on the planned parking, which finally begins to build in 2015. Shape of the house respects the surrounding buildings. My aim was create the building, which would be functional, urban, beautiful and more economical than the winning project.
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Moravian-Silesian Philharmonic Orchestra of Ostrava, Černá louka
Fedorková, Zuzana ; Rusín, Tomáš (referee) ; Gürtler,, Ivan (advisor)
The building is located in the city Ostrava in Cerna louka, that is a city district very close to the center and river side, just in a middle of the ortogonal block build up area. The philharmonic is designed like a big block made of brass from which is rising the light glazed volume of the auditorium and where the volume of atrium is hidden in. This 2 volumes represent the future and past values of the city Ostrava. The volume of the auditorium is the only object in whole ortogonal area that is twisted. Due to this fact it gains uniqueness and dissimilarity. Thanks to that is becoming a new symbol of the city.
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Music as a public space - New concept of Brno Philharmonic
Truhlářová, Jana ; Čapák, Bořivoj (referee) ; Wahla, Ivan (advisor)
The locality is situated on the Veselá street in the historic centre near to Besední dům – the main seat of the Brno Philharmonic Orchestra. The site adjacent to the unfinished housing estates was chosen in a competition authority in 2003 primarily thanks to the position next to Besední dům. I tried to create a variant solution which could offer insight into the issue. The aim was to design a functional, operationally and economically less demanding object where the hall has excellent acoustics for classical orchestral music with a capacity of about 1000 visitors.
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Music as a public space - New concept of Brno Philharmonic
Veselý, Adam ; Vágner, Lukáš (referee) ; Rusín, Tomáš (advisor)
Entering this thesis was to design a building for the Brno Philharmonic. Brno Philharmonic is still housed in the Fellowship House, which for this purpose does not. Place for the design of the new building of the Brno Philharmonic Orchestra was chosen plot where the current parking lot, which is close to the Guildhall. In 1992 he founded the Association for the construction of a concert hall, which has since been seeking to build Janáček Cultural Centre. Concert hall with excellent acoustics, which is missing in Brno. The first attempt was in 1989, when it was announced architectural competition for a new building project was just prior to the commencement of construction works dropped. In 2003, the Statutory City of Brno announces an urban-architectural competition for the design of the building Janáček Cultural Centre, whose subject was the urban design of the entire area between the streets Besední, cheerful and Hotel International. Entering the competition was also the draft annex of the hotel International. The reasons for choosing this property was the strongest ties to the Meeting House., Position in the city center in a neighborhood with other major institutions, well-connected to public transport, the opportunity to realize the capacity underground parking. This year were started construction work on this place that has become a new building. The overall implementation takes place in two stages. In the first phase are carried out underground three underground floors used for parking. In the second phase confronts Janáček Cultural Centre. This competition for JKC winning studio M1. In the first round of the competition envisaged the demolition substation at the International Hotel and expanding the plot. In the second round it was only a plot parking spot without significant interference with the surrounding space. This version is valid to this day.
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Music as a public space - New concept of Brno Philharmonic
Kamená, Markéta ; Mutina, Petr (referee) ; Wahla, Ivan (advisor)
The Philharmonic building is designed as a circular central building located in the center of an elliptical water ring. The house moderately expands to upward by an angle of ten degrees. This compositional princip implicitly refers to the morphology of ancient temples, but his reasoning is mostly functional. The water ring has a maximal size considering the size of the park, in spite of it is a significant limit for dimensions of the object. First floor therefore builds up the smallest possible surface area of the ring and each higher floor is increased according to the need of the philharmonic, especially so the floor area suffises to the big amount of dressing rooms and rehearsal. The total cubic capacity of the object is almost minimalist, a concert hall and other necessary equipment is designed in the lower limit of the minimum dimensions. The philharmonic is opened to the neighborhood around the perimeter of all floors, behind the facade common life takes place, this fact makes the building visually interesting. In the daylight, when traffic is muted, it gives the impression of the stoic temple, but in the evening it "coming to life". Architectural expression is subordinated to this princip. The facade is designed from structural glazing, to achieve the greatest possible effect of transparency. The abstract shaping without natural scale of the window or other articulated architectural elements is chosen with respect to the principle philharmonic as a temple of music, not primarily "only" public building. Requirements for the indoor climate indicate a need of the interior shading. In accordance with previous principles the shading elements are chosen abstractly as continuous vertical wooden beams starting at different height with respect to public space inside of the building.
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"Theatre Music" - a concert hall for the city
Krausková, Veronika ; Žalmanová,, Petra (referee) ; Šindlar, Jiljí (advisor)
The object of this diploma thesis is the concept of architectonic studies of concert hall – theatre music. The main functional scope of the projected building is concert hall with capacity of 542 visitors. Hall enables performances of choir up to 50 members and orchestra up to 80 members. Operative and service room of the concert hall background is one of the parts of handled task. The main accent was put on acoustic solution of the main hall and overall limpidity of the building operation. Building look and its solution is trying to supplement compactness of the urban unit with the respect to the surrounding build-up area.
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Prague philharmonic building
Vrtílek, Osvald ; Plášil, Jiří (referee) ; Boháč, Ivo (advisor)
The diploma thesis on the Prague Philharmonic is based on the design of new concert halls for classical music, as well as other genres with additional functions alocated in one building. The site is located in Prague's Holešovice on the left bank of the Vltava River, near the transport route - Captain Jaroš Avenue. The site is delimited by the original development from the west, the river from the south, the railway viaduct from the west and new development from the north - this development is part of the planned reclamation of the Holešovice brownfield Bubny-Zátory, which has been implemented since 2000. The appearance of the created square results from the current state of preserved transport communications, while it also has the function of leveling the level differences by means of stairs on the north and east sides. The green islands in the square then define the course of pedestrian roads through the open space in front of the building. The shape of the building is derived from the shape of the main hall, located in the middle of the building, as a solid, non-transparent mass that grows from a transparent, light envelope in the shape of a low block. The facade is made by curtain walling from the glass panels of which are rhythmized in a ratio of 1: 2: 3 with alternating transparency. The building itself contains three concert halls - the main hall has an auditorium adapted to the type of vineyard, so it is possible to watch musical performances from all directions and yet offers unique acoustic conditions in terms of shape. The single-storey small hall has about half the capacity and is shaped into a shoebox type with a lower headroom, and the multifunctional hall has a screened floor on a hydraulic system, which ensures maximum adaptability to the type of event. In addition to the halls, there is a cloakroom in the spacious foyer, copying the floor plans of the main staircases, a café with refreshments and sanitary facilities. On the first floor, there is also music school with rehearsal rooms, a recording studio and a co-working workplace with seperated entrances. There are also separate spaces for commercial use. Most of the space runs from the first floor to the second, except for the northwestern part, where the music library is located. On the third floor, the foyer also serves as an exhibition space, around which on one side there is the administrative workplace of the Philharmonic and on the other a smaller cafe, a conference room for smaller events, and behind it VIP lounges. On the first underground floor there are garages and facilities for artists and the building itself - locker rooms, warehouses, tuning rooms, workrooms, studios and a rehearsal room. Garages continue to the second underground floor in one part and there are spaces for the technical equipment of the building in the other.
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